Error Code 613, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 611, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 606, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 511, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 507, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 509, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 605, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 607, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 508, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 512, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 513, 2019

Ink, mirror film, paper, graphite

5” x 7”

info
×

Error Code 608, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Error Code 615, 2019

Ink, mirror film, paper, graphite

20” x 26”

info
×

Afterimage Series


In Six Memos for the Next Millennium, the final unfinished text left by Italo Calvino, he states “of the danger we run in losing a basic human faculty: the power of bringing visions into focus with our eyes shut.”(2) Drawing on the idea of the ungraspable or unknowable, this series privileges a vocabulary of the afterimage-an image that continues to appear in the eyes after a period of exposure to the original image. In an era of unseen systems and virtual forces, our networked world materializes through mirrored film, neon ink, UV-A light, string, and a graphite line. Tensions glitch as they become fluid and reflections recede into fragments, tracing the invisible paths and complexities of our networked existence.


*2 Italo Calvino, Six Memos for the Next Millennium (Cambridge, MA: Harvard University Press, 1988), 92, cited by Jonathan Crary in 24/7: Late Capitalism and the Ends of Sleep (New York: Verso, 2014), 107.

Using Format